PROFILES / Q+As
Cillian Murphy and Geoff Dyer evaluate the cross-medium art of observation Years ago, the actor requested the cinematic rights to the writer’s ‘Jeff in Venice, Death in Varanasi’—here, they revisit the proposal
Age, anger, and anxiety: The doctrine of Sleaford Mods Following the release of ‘UK GRIM,’ Jason Williamson and Andrew Fearn disclose why they’ll keep going until they “drop dead”
In Daniel Arnold’s New York, everyone is God Ahead of the publication of his zine for New York Life Gallery, the photographer joins Document to ruminate on the philosophies of his practice
Anicka Yi’s paintings are living, autonomous creatures Following her ‘ÄLñ§ñ’ exhibition, the artist joins Hans-Ulrich Obrist to discuss why art and science should mingle
‘Titanic Depression’ is not a parody Following a two-night run of her show at Pioneer Works, Jibz Cameron philosophizes on Jack and Rose, tragedy addiction, and the nature of performance
Kevin Abstract and Charles Atlas interrogate physical realities in digital fantasies The musician and the artist meet for the first time to explore the evolving principles and practices of video-making
‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard expounds upon his film’s intent, and muse on the compassion of comedy
Water From Your Eyes is expert in the art of accident Ahead of the release of ‘Everyone’s Crushed,’ Rachel Brown and Nate Amos unpack their unintentional self-prophesying and extrapolate the record’s many meanings
The tender anger of IDLES Joe Talbot and Mark Bowen discuss the making of ‘Crawler’
Adam Green Will Never Grow Up The Moldy Peaches frontman and self-proclaimed “Jewish James Dean” Adam Green discusses his straight-to-YouTube “Aladdin” film, digital musks, and dressing like Robin Hood
In ‘Inside,’ art informs character Curator Leonardo Bigazzi joins Document expands on the film’s collection—reflecting upon the experience of art through the screen and the ways in which it constructs its own narrative
Model/Actriz’s ‘Dogsbody’ is an emotional map of New York Vocalist Cole Haden expounds upon the debut record’s influences, contextualize his suffering, and detail his pursuit of translating life to cabaret
Niia and Michael Imperioli philosophize on the generosity of art The musician and the actor meet as benefactors of one another’s work, discussing the transcendence born from opening the self
Cillian Murphy and Geoff Dyer evaluate the cross-medium art of observation Years ago, the actor requested the cinematic rights to the writer’s ‘Jeff in Venice, Death in Varanasi’—here, they revisit the proposal
Age, anger, and anxiety: The doctrine of Sleaford Mods Following the release of ‘UK GRIM,’ Jason Williamson and Andrew Fearn disclose why they’ll keep going until they “drop dead”
In Daniel Arnold’s New York, everyone is God Ahead of the publication of his zine for New York Life Gallery, the photographer joins Document to ruminate on the philosophies of his practice
Anicka Yi’s paintings are living, autonomous creatures Following her ‘ÄLñ§ñ’ exhibition, the artist joins Hans-Ulrich Obrist to discuss why art and science should mingle
‘Titanic Depression’ is not a parody Following a two-night run of her show at Pioneer Works, Jibz Cameron philosophizes on Jack and Rose, tragedy addiction, and the nature of performance
Kevin Abstract and Charles Atlas interrogate physical realities in digital fantasies The musician and the artist meet for the first time to explore the evolving principles and practices of video-making
‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard expounds upon his film’s intent, and muse on the compassion of comedy
Water From Your Eyes is expert in the art of accident Ahead of the release of ‘Everyone’s Crushed,’ Rachel Brown and Nate Amos unpack their unintentional self-prophesying and extrapolate the record’s many meanings
The tender anger of IDLES Joe Talbot and Mark Bowen discuss the making of ‘Crawler’
Adam Green Will Never Grow Up The Moldy Peaches frontman and self-proclaimed “Jewish James Dean” Adam Green discusses his straight-to-YouTube “Aladdin” film, digital musks, and dressing like Robin Hood
In ‘Inside,’ art informs character Curator Leonardo Bigazzi joins Document expands on the film’s collection—reflecting upon the experience of art through the screen and the ways in which it constructs its own narrative
Model/Actriz’s ‘Dogsbody’ is an emotional map of New York Vocalist Cole Haden expounds upon the debut record’s influences, contextualize his suffering, and detail his pursuit of translating life to cabaret
Niia and Michael Imperioli philosophize on the generosity of art The musician and the actor meet as benefactors of one another’s work, discussing the transcendence born from opening the self